2016 album by jedi mind tricks very own vinnie paz with guest spots by ag, oc, hust kingpin, agallah, ghostface killah, ras kass and more.

mixture between classic house and uk garage

the 1990 ambient album from klf back on clear vinyl, housed in full colour sleeve with original artwork.

limitierte auflage von 500 stück in einer schwarzen hülle mit jeweils einzigartigem, experimentell nummeriertem siebdruck, 30 cm x 60 cm, in zusammenarbeit mit studio heretic.

love not sex is the second stubb 12inch from paper recordings ben davis. the original is a melancholic slice of sunshine that draws inspiration from mor and blue-eyed soul with a hefty dose of balearica. acoustic guitars, rhodes, live drums and strings plus crazy ps tim davis on bass provide the perfect cinematic backdrop for the plaintive vocals of huw costin (torn sail) and rachel foster. japanese edit hero mori ra delivers his first ever remix and its a doozy. keeping the bones of the original track, he takes it in to dark psychedelic waters with the help of former_airline s tripped out guitar. a spoken vocal tips it in to full balearic wonkiness that will have the likes of dj harvey and bjorn torske getting hot under their disco beards. bergen s leca employs his trademark stripped back crisp production for a warm, dreamy remix. steel guitar, clicks, whirrs and a nordic playfulness make for a cosmic journey in to the northern lights. the 12inch will be a limited run of 300, screen printed in west yorkshire by the egg factory with artwork by artist rachel johns in a project that celebrates community and collectivism.

a true trip-hop classic: tricky’s 1995 debut album “maxinquaye” is finally available on vinyl again.

it’s been three rough years since mirrors for psychic warfare sprang into existence with their startling self titled debut, but don’t think for a second that the time was spent idle, this unit (comprised of neurosis’ scott kelly and producer sanford parker) constructed an even more unnerving and destructive record with “i see what i became,” i know, hard to believe. over the course of these eight bile-rich pieces a sonic abattoir is erected, exploited, and razed. turbulence rises and churns giving way to rhythmic machinations, lights flicker, a grand mal/guignol seizure besets a frog-headed snitch, blood collects in a stainless steel gutter. claustrophobic sudor that evokes all you held dear from skinny puppy, foetus, godflesh, bath tub tina, and wondering where the fuck you will sleep, provided you ever do. there’s nothing fun here, nothing but the cold of an autopsy followed by the heat of a crematorium. a sliver of galvanized bone flies from a circular saw into the toothless maw of a streetwalking kali yuga. good or bad, i’m not sure what we did to deserve this.
limited pressing of 500 copies on white vinyl.

it’s been three rough years since mirrors for psychic warfare sprang into existence with their startling self titled debut, but don’t think for a second that the time was spent idle, this unit (comprised of neurosis’ scott kelly and producer sanford parker) constructed an even more unnerving and destructive record with “i see what i became,” i know, hard to believe. over the course of these eight bile-rich pieces a sonic abattoir is erected, exploited, and razed. turbulence rises and churns giving way to rhythmic machinations, lights flicker, a grand mal/guignol seizure besets a frog-headed snitch, blood collects in a stainless steel gutter. claustrophobic sudor that evokes all you held dear from skinny puppy, foetus, godflesh, bath tub tina, and wondering where the fuck you will sleep, provided you ever do. there’s nothing fun here, nothing but the cold of an autopsy followed by the heat of a crematorium. a sliver of galvanized bone flies from a circular saw into the toothless maw of a streetwalking kali yuga. good or bad, i’m not sure what we did to deserve this.
limited pressing of 500 copies on red vinyl.

by now, the story of how jlin went from working in a steel factory in gary, indiana to being one of the most widely appreciated electronic musicians is well known. “black origami” was one of the most lauded albums last year. seriously prolific and seriously hard-working, she has toured constantly since its may 2017 release and despite being involved in a wide range of projects, still manages to find a balance and time to “do some personal healing and growing.”
here we are over a year later with “autobiography,” the score for her collaboration with renowned british choreographer wayne mcgregor (a collaboration arranged by krakow’s unsound). this isn’t technically her third album (that’s due to arrive in 2019 or 2020), but the soundtrack stands up on its own with all the emotional peaks and troughs of a well-sequenced lp.

perc trax slips out its first cheeky white label in over two years, pulling together two secret weapons from perc’s sets this year. first off perc trax newcomer tymon rips into perc’s own “hyperlink” giving it a shot of adrenalin which has been eating festivals alive all summer.
on the b-side ansome returns to perc trax for the first time since in infamous british steel release twisting manni dee’s “london isn’t england” into a grinding mass of kick drums and percussion, layering ewa justka’s vocal over one of his rawest productions to date.

the metallic compilation danzas electricas is back for a second volume ! curated by sacha mambo, it presents only artists from nowadays and takes distance from the edits to push original and weird electronic music of close artists friends from dresden, copenhagen, berlin, prague, lyon and hamburg. some of them are already relatives of macadam mambo : konsistent, wosto, heninspace eva geist or sacha himself and it introduces new acts : ekstern (nixxon & spacelex), service, houschyard or sauerstofff to present a good mixture of kraut, punk, industrial tracks, which never fall into dark.

we could say that with this sixth studio album anthony joseph is back to his roots. indeed, it was recorded on his native island of trinidad. but it is more of a continuation, of a culmination. as the caribbean music has strongly infused the music of anthony since its inception. this album entitled people of the sun is a tribute to port of spain (pos), this bubbling port, meeting place of many cultures and a door open on south america. this energy is found throughout the album with many stars of the island (3 channel, brother resistance, ella andal, boogsie the king of steel pan) and pays tribute to rapso, a mixture of protest poetry and soca / calypso created in the 80’s. as always the verb remains in the spotlight with anthony joseph.

incl download card q!

autre fell asleep in a gondola and awoke in the krankenhaus. this is his first offering for the esp institute. side as everybody in the past is sharp techno aimed for the alleys of your mind gritty, driving, and melodic combinations of blown-out drums and classic electro riffs that relentlessly sprint for a good 4 minutes before a squelching arpeggio and angelic solo kick in tugging the heartstrings and lighting a beacon for those noble morning dancers lost at the front left speaker, channeling from the deep. on side b, frigo completely dismantles any expectations you might have after listening to its predecessor. an undoubtedly seductive samba rhythm comprised of distant snares, rim shots and cowbells holds together an aggressively active bassline, a steel drum harmony and synth solo that crawl all over like a funky worm. this track is truly something special, a gift for the prodigious selector when dropped in the deserved context, it has the potential to unlock unprecedented levels of euphoria. these two songs are as fluid as a paintbrush yet precise as a scalpel.

kump is delighted to release the first ep by hlm38 (ou hlm38’s first ep), the naughty half of duo ricco and member of the notte brigante crew from lyon. the three original tracks, a mix of ethnic looting and industrial racket in slow motion, feel like steel wrapped in turkish delight. front de cadeaux’s take on “illicite cong” is reminiscent of an erotic rave flavoured with oriental spices. last but not least, kris baha slices up “exit” like a tablier de sapeur (local lyonnais dish) served on a julienne of syncopated samples and noisy beats.

black vinyl housed in a 5mm spined outer sleeve. includes artworked 12 inch poster insert and download code. photography by fabian hammerl and design by bu&#776,,,ro bru&#776,,,ggman

after “star alliance”’s initial release as a limited six tape-box set, it was apparent that there was a need for a reissue, which now comes in the form of this remastered double lp set with a selection of the best work and even a few new tracks added. the story is the same but the narrative has been sharpened.

peter kadergard has been active in the helsingborg (sweden) electronic music scene since the early 1990 s. he was involved in various collaborations during the 90 s and appeared on a few cassette releases under the names grodans fodelsedag, marchentraum and mannix system. peter released his first rittowski record on the borft sub label djuring phonogram in 2004. apart from this electro project peter is a member of the bands goz mongo alliance and inyurmania, who has made a few releases on the ufo mongo, pripuzzi and skiboy record labels. this is new electro!

fleck e.s.c, aka franck collin, brings his unique blend of dancefloor electro to the cpu stable. originally from france and now based in tokyo, collin takes us on a musical journey from akihabara to the steel city via 2097.

original copies dating from 1996! raving techno banger.

re-issue of forgotten minimal techno abstraction from hamilton, ontario. the unsung genius of secret werewolf is fully on display on this 1996 gem. rubbery and polymetric, akin in mood to robert hood/metroplex productions of the same era, but full of eerie metallic timbres and flexing grooves which combine into a lysergic hypnosis unlike anything else from then or now.
a taste of the forthcoming geej re-issue project surveying the steel city records catalogue, a wellspring of unsung, singular dance music that arose from the abandoned industrial spaces and uncompromising producers of the fertile but secluded techno zone of hamilton, ontario canada circa 1995-1997.
first time pressed in over 20 years, vinyl only.

uk bass legends stanton warriors return with their highly-anticipated seventh studio album rebel bass. following the huge lead single loving me wrong, proclaimed game changing by leading tastemakers mixmag, thump and dj mag, we present a 4 track vinyl sampler taken from the lp featuring 3 tracks from the lads and a danny byrd remix of the one formalising this new juncture in the stanton warriors sound rebel bass is full of thumping bass bangers that perfectly showcases the fresh, new sound theyve been busy crafting over the last year and paves the way for an album that draws on their strong garage roots, with infectious, radio-friendly songs sitting comfortably alongside booming club tracks, all underpinned by that inimitable bass sound we ve all come to know and love.

&#8203,,,re-issue of hard-to-find 1971 jazz album, originally recorded and released in finland. fascinating fusion of modern jazz and elements of caribbean music, african roots and pan. quintet featuring rudy smith from trinidad & tobago, plus musicians from barbados, surinam, and ghana. tip! lars samuelson, a jazz trumpet player and producer in sweden who heard this quite unique quintet, was captivated by their concept and sound, and asked them to record an album. otinku, the resulting album, was recorded in stockholm in 1971, produced by samuelson, and originally released on the odeon label, a subsidiary of emi finland. with an afro-jazz/caribbean orientation, the selections are a rich mixture of jazz standards and original compositions, including recently re-discovered killer funk tunes otinku and sugar daddy, and a fine steel jazz version of bags groove. the album was their only release and is now a sought after item for steel pan/caribbean music fans and vinyl diggers.

next up on late night burners we have four warm cuts by roman coskun. with the -feels like forever ep- he showcases his own personal brand of wayward, but elegant deep house.
the title track is deep, but very functional, and clearly built on the underpinnings of classic deep house, while remaining fresh at the same time. then it s time for -sunwards-, blending acidic dreaminess with a lock-tight groove. on the b1, -steps- reminds us of mediterranean summers, with its warm pads and floaty steel drums, and finally, on -tales from the reef- the gifted 92 spacedrum orchestra joins in for a raw, yet delicate late-night club joint.

we are extremely proud and excited to announce our first sheffield artist on cpu - 96 back aka evan majumdar-swift. swift has delivered a 4 track electro ep with a strong bleep and bass influence. coming from bleep lineage with swift being the son of legendary jive turkey promoter matt swift, these tracks are a cutting-edge interpretation of sheffield s electronic music heritage. to celebrate this steel city release on cpu one of the founders of warp, and fon studio engineer, rob gordon has mastered the tracks.

the sugarhill singles box set - 12inch beats, rhymes and b-boy breaks from the label that startet it all.

one of sonic groove s longest standing label artists, realmz returns with an infectious well rounded four cut extended ep entitled “mindfold”. straight out of pittsburgh the steel city capital of the usa realmz has been involved in electronic music since the last decade of the 20th century. growing up on a steadfast diet of industrial/ebm/idm/detroit techno and drum & bass, realmz has taken inspiration from these many underground forms of electronic music. in his signature style, the sci-fi sound design on “mindfold” weaves it s way in an out of bleak futuristic overtones set across a multitude of uniquely written broken beat and 4/4 drum rhythms. this heavily thought provocative & extremely well produced, contemporary industrial techno ep is a must for any aficionado of the genre.

unearthed 1997 techno grail from hamilton, ontario. remastered from the original recordings this 12”, created by david foster of teste (the wipe) fame, lays down 4 burrowing and bouncing warehouse bombs that are at once psychedelic, frayed, and way ahead of their time.
a taste of the forthcoming geej re-issue project surveying the steel city records catalogue, a wellspring of unsung, singular dance music that arose from the abandoned industrial spaces and uncompromising producers of the fertile but secluded techno zone of hamilton, ontario canada circa 1995-1997.
first time pressed in over 20 years, vinyl only.

repress! 2008 album from the french vocalist and multi-instrumentalist, produced by manuel de homem-christo from daft punk.

remastered reissue of the self-titled debut album from ratm, originally released in 1992. pressing on 180 gram vinyl

marc biancos first ep on moonrise hill material is going to surprise more than one person. after a quick appearance on the 6th release of the french imprint, marc bianco is now unveiling a totally different side of his project. purely jazzy & j dilla influenced, the tone of this record is given with organic flights on 3 chords basis. it will surely please bedroom listeners as well as club dancers.

for brainstem casino s take off, strictly hardware voyager *sour* generated «quantum process», an ep that comprises four, rather spartan yet not the current i-put-three-sounds-so-it s-minimal, haunting and deepseated downtempo tracks. the first segment of the (limited to 300 copies) 12-, 140gr. polyvinyl chloride chunk, which extends to 9:22 minutes commences with muffled and fathomless pads. then a three steps acidish build up subtely incises through like a reptilian sword coming out of an another dimension. the next track is in a similar vein, however, uplifted presence of cowbells and tight repetitive drums sways towards a house/funk guidance. side b s a staggering 12:19 minutes crepuscular descent into crying structures referencing to 90 s sci-fi universes. additionally coming along with the digital download, is a downreaching, abysmal ambient track called «cleavage». yes, either in your confortable conapt or in a decaying, technological dystopian, space-cargo style gig, this will drive your audience to definitive brain melting!

next up on yoruba is this split release. glasgow’s vince watson invites us to a new dimension with his contribution. another rendezvous says it all atmospheric and carried by simple chords that float over the four to the floor pulse. think movement and formation. depending on your relationship with the universe, one might be able to feel the colours of this track, greens and blues. pensive with just enough edge to secure a commitment from the seasoned djs ear, this one is steady with a sexy incline that holds you through to the other side. come ride. its bold to build a song around a steel drum and a west african shekere, but that’s where it starts with dakota’s ‘make it better’. a gorgeous soulful house track featuring the vocals of dakota and osunlade’s vocals layered and arranged behind and throughout. the groove is a rich and well-constructed song with carefully considered lyrics that speak of longing, praise and caution. listeners hear the echoes of latin accents that call us into to reflection and flight. surrender your hands in the air for this dancer friendly love gem that stretches beyond cliche lyrics. yoruba records delivers another high-quality soundscape that measures across time and space

judas priest could easily rest on their laurels at this stage of their highly successful and influential career. however, the legendary metal band - singer rob halford, guitarists glenn tipton and richie faulkner, bassist ian hill, and drummer scott travis - refuse to do so as evidenced by the arrival of their eighteenth studio album overall - “firepower”. the album is comprised of fourteen tracks of pure and highly inspired metal. and to mark the occasion priest has reunited with producer tom allom (the man behind the board for all of the band’s releases from 1979-1988, including such stellar classics as “unleashed in the east”, “british steel”, “screaming for vengeance” and “defenders of the faith”) and with grammy award-winning producer andy sneap also helping to raise the sonic bar even higher. the double vinyl release comes in a gatefold sleeve with download code included.

those wizards of digging psychemagik doing the business once again. hot on the heels of last year s monstrous gotta hold on me / wildman they re letting folks know that they were still out there searching in the darkest recesses of the last 40+ years of popular and unpopular music, and boy oh boy are they good at it! the trip lives up to it s name. the track kicks off with some ultra beefed up psychedelic shenanigans, swirling, cacophonous sounds whirl and sweep and gradually drag us into the holographic tunnel, gradually giving way to some heavyweight drums and percussions and unfurling into a muscular psych-discoid beast. this one will send the kids crazy and will undoubtedly cause some damage in the club, both sonically and mentally. but what is the original? we hear you say... answers on a postcard please. sisters of the moon on the flip-side is a very different animal - all laid back, laconic steel-guitars and thundering slo-mo drums and percussion. the dark side of a rural witchcraft dream exposed here, almost menacing... and then? those vocals spring out of the mix amidst the throbbing sexually charged atmosphere and drag us back into the realm of near reality with sultry moans and groans. this one s woozy alright, but in the best possible way. so wrong, it s right and possibly the natural soundtrack to too many of those strange shots that that guy in the weird hat gave us earlier when we entered that country pub. what guy? i hear you ask.... ultimate freak-disco and deepest druid funk for the discerning and psychedelically inclined record consumer.

band from trinidad & tobago, led by the internationally renowned lead guitarist guitarist and songwriter michael boothman. tabu and so dey say were recorded in 1972 and would remain family trees only recordings. limited edition of 500 copies worldwide! . family tree represented a new generation re-discovering trinidadian folk music forms and giving them a contemporary treatment. family tree infused old shango rhythms in their new sound and were the first to experiment with steel pan fused with standard instrumentation. tabu is a cover of a cuban standard made popular in trinidad by 1950s calypso musicians cyril diaz and his orchestra and so dey say was an original composition by david boothman. although they only ever recorded these two songs, the band toured with derek walcotts trinidad theatre workshop and forged long standing musical connections with some of the countrys leading musicians.

deeply concerned with the here and now versus sister label was/is electro archaeology, is/was delivers the goods once again with this various artists 12- zeroed in on the pittsburgh scene. you can feel the steel city tension reverberating in naeem s edgy beatdown -forward facing-, while hits only takes things in a slightly cleaner, modernist direction that aligns with some of the uk soundsystem interpretations of electro that have emerged in recent years. shawn rudiman takes control for the b side with two jams that tip their cap to the veteran producer s long and accomplished career, but they sound as fresh as anything else on the record too. -derelict- is a gnarly, bloated banger of a track, and -asimolar- takes the route towards cybotron, kraftwerk and the truly foundational version of electro in all its lysergic glory.

neil landstrumm and tobias schmidt are two men responsible for modern day electronic music. when the sound crawled out of the primordial speaker, this pair were there to welcome it. for more than twenty years the two have worked together as sugar experiment station and arrive on shipwrec for their first collaboration in eight years. this is a 12- born in burning furnaces of bass. moulded in those low frequency fires, smelted in the thumping heat, are beats, beats hardened like steel before being shaped into lancing points. with these tools of rhythmic brimstone ses goes about destroying dancefloors before reinventing them. chords are rolled in gravel, doused in distortion and rinsed in static. a style forged from the friction of pistons, the sweat of the assembly line, before being dipped in a searing liquor of circuitboards and molten microchips. ses - sugar experiment station - shattering every stereotype.

das album von 2013 jetzt erhältlich als ltd. edition gatefold lp! record kicks präsentiert das neue album der italian soundtrack funkateers calibro 35! es gibt eine sache, die können italiener besser als andere, nämlich funky soundtracks. quentin tarantino weiß das am besten: soundtracks italienischer spielfilme der 60er und 70er sind beliebt. calibro 35 macht mit der musik, was tarantino mit filmen macht sie leihen sich, was sie lieben und machen ihr eigenes ding daraus, oder wie das rolling stone magazine sagen würde calibro 35 sind die faszinierendste retro-maniac und authentischste sache, die italien in den letzten jahren zugestoßen ist. the budos band trifft auf morricone.

behind the sstrom moniker hides one half of shxcxchcxsh and a long-time activist of sweden s experimental techno scene. having fallen in love with simple melodies and catchy arpeggios when being a member of bitpop/synth band slagsmalsklubben, he transferred these sensibilities further into his other projects. sstrom s excellent 2016 debut for semantica records was an excellent exercise in lush aquatic techno with breezy and lush atmospheres. the new ep -vitriol- is informed by the personal experience of the producer, which adds additional warmth and emotional weight to the record. the release brings back memories of earth pigments his father used when painting things in their house, the colours created were usually dark toned with some pastel lightness. this juxtaposition is felt throughout the record, which balances between cinematic futurist moods, steel-wool smoothness and subtle physicality due to its textured nature. the title track kicks-off with detroitish synth loops wrapped in dense lo-fi soundscapes, while -sienna- increases the tension by introducing more expansive melodic appeal intertwined with intensity of feather-like 4/4 rhythmics. -umbra- brings some shadowy sonic undertones immersed into a sea of crackle with melodies constantly resurfacing. the closing -ockra- bursts with more groovy patterns, yet retaining the same elegant warmth, which seems to be the signature element of this ep. while listening to all these tracks you feel like touching some alien surfaces with utmost sensitiveness with surreal landscapes stretching out in your imagination. this is carefully crafted introvert music, yet having some elegant dancefloor appeal.

ext to being one of the core members of the acoustic deep listening ensemble razen, ameel brecht is a trained guitar player who has a life-long involvement with the instruments repertoire under his belt. on his debut album polygraph heartbeat, he puts his guitar-heart on the line by means of 9 compositions for steel resonator and resonator mandolin.

pressing on black 180 gram double vinyl, housed in a gatefold sleeve with insert and fold-out poster included.

amsterdams worst kept secret makes it back to unknown precept with his long-awaited album and first solo output since the acclaimed divine bovine tape mini-album. inspired by an evening spent in a restaurant next to a car demolition site, eindkrak s long player debut echoes the distant sound of steel being crushed and cars pressed into cubes. all this noise, in combination with the taste of good italian food, lead to the eleven tracks making up for the aptly titled brullend staal — loosely translated to weeping steel. a leisurely stroll on crumpled metal sheets, the acidic hints of oxidized metal and the smell of gasoline. inaudible and distorted vocals as if smothered by the clatter and smokestacks of steel factories. eindkrak s first full-length is all about this disquietude made of melted and straightened scrap metal. a resounding and tumultuous din. try to eat some nice gnocchis while listening to this album, and you ll see what it is all about.

for fans of:
john morales, crazy p, al kent, nile rodgers, todd terje, danny krivit.

kamoda’s latest offering, ‘the distorted haunted ballroom ep’ offers three fresh tracks from the colourful artist - body & soul, ( ( (bye) ) ) and dopey forests - a tripped out, twisted journey.
a man of many talents, jun has produced art under his illreme moniker, as member of hip hop trio, baleine 3000, and as cartoon illustrator (usca.) his forays into music have lead to work with revered global labels, think mister saturday night, black acre, mall grab’s steel city dance discs and more.
opener and lead track, body & soul is a raucous jam. killer, frenzied percussion, short riffs and vibrant erratic trumpets fuse industrial elements with far-flung balearia, teasing between warehouse rave and rainforest ravine.
second track ( ( (bye) ) ) is a hazy, hypnotic cut, body & soul’s wild elements rolling into a tug of war between arcadian bleeps and lawless euphoria.
dopey forests offers up a less frantic but still slamming dance floor ready slice of dreamlike vocals paired with driving percussion. a mesmerising, final jaunt to round out ‘the distorted haunted ballroom ep’ with an ethereal, spooky stomp.

repress - leather, steel & fist
it is the celebration of a state of mind, a sexual taste, an open vision, a certain freedom, a specific place.
the project is composed by three releases. in details: first release leather, second steel and third fist. one different artist for each release.
the first artist is repro from denmark!

dancefloor alert! restoration records celebrates its ten years of activity with 4 fully-fledged club oriented tracks produced by its stalwarts lucretio and marieu, also known as the analogue cops and xenogears. the marshall is a four hands analogue cops night affair about heavy rhythms and blues, glittering cymbals, fiery breaks, and the art of sampling. lucretios deliver is a classy big room jacking tune fuelled with jumbo balearic chords, dense reverbs and a proto-digital acid line. marieus see ya tomorrow is a raw happy house anthem with a touch of jazz and a relentless drive. finally, the duo darkest moniker xenogears wisely crafted a polyrhythmic techno ground-shaking tune injected with analogue sparkles and pervaded by a steel-sky atmosphere.

nice price deal !!! the ever-prolific curtis lynch strikes again with this new reggae roots dub series, access denied. trinidad & tobago born franz job lends his vocals to the n side of this sound system killer with a tune called >i used to<. franz describes how he used to be afraid to speak his mind but now he is a rebel for the cause. the second track on this side is from curtis lynch who plays steel pans across the rip roaring dub.
the m side features another rising reggae star, massicker, originally from jamaica and currently residing in boston. massicker is a superb writer and this tune is his calling card as he explains the decline of personal interaction due to the rise of social network sites and mobile phones. the second track on this side is the customary heavy grynch dub, with plenty of echo, reverb, drum and, of course, a devastating bassline. sure to please all lovers of roots music as well as flavours to spice the jungle and dubstep crews.

this is the third volume of random numbers split series. a cross-section of the italian experimental scene in 5 volumes. each artist is assigned to one side of a c50 tape, in which express his music without compromises. volume 3 is entrusted to somec and von tesla. somec gives us 20 minutes of raw recordings of a mythical machine, a buchla 208, which stops its technology to the 70s. all recorded live with the aid of a computer. in less technical terms, napolis work can be summarized in a handful of eccentric hallucinations – pretentious recreations for quirky programmers – polished fiction. nwh2o is a long journey through interstellar landscapes and claustrophobic extraterrestrial rhythms, transmissions from other times and places. von tesla presents a more romantic vision of his world, divided into a triptych, touch / enter / flesh. dreaming representation of a meeting, where the romantic tones are obfuscated by a drop of lsd, which changes the colors, shapes and volumes. a slow movement toward the transformation of the body, an approach to transhumanism that mingles technology in the body, a genesis of tetzuo (the man of steel / tetzuo shima) of the years 10.